"The imagination and the place that dreams come from is so huge and so important. I'm trying to write about the real world, in that I'm trying to write about whatever it is the experience that makes us human, the things that we have in common."
Real quotes
Real
21.1K quotes on this topic — from poets, philosophers, and thinkers across history.
Explore further
Topics related to Real
Browse quotes that often appear alongside real — connected by shared ideas and recurring themes.
Quote collection
Real quotes (page 243 of 1056)
Follow a thought to its author, or read the full quote page.
"There are characters in some short stories who exist as people, and there are other characters in different short stories who exist as purely literary constructs. You know, the young man in "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire" - I probably got that right - is a literary construct, and enjoys being a literary construct. He has no life off stage, whereas the young men in "How to Talk to Girls at Parties" were as near to being real human beings as I could possibly get them."
"If you go to space, you'll look down and see no national boundaries. You'll never see the gods people are killing each other over, but they're incredibly real."
"If you're brought up Catholic, you're convinced of magic at a very early age. You're convinced the world isn't entirely real, which is a kind of conviction that never leaves you, for some strange reason."
"I think I'm going to be making country records for as long as I can see into the future. It's much more down-home and real."
"Everything is minimal, and if it's over, it's over. We're abrupt with things: in and out. Especially if it's an overdub - it's gone. It does something that's not real."
"I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"]."
"How else learn the real, if not by inventing what might lie outside it?"
"This love of ours, in so far as it is a love for one particular creature, is not perhaps a very real thing, since, though associations of pleasant or painful musings can attach it for a time to a woman to the extent of making us believe that it has been inspired by her in a logically necessary way, if on the other hand we detach ourselves deliberately or unconsciously from those associations, this love, as though it were in fact spontaneous and sprang from ourselves alone, will revive in order to bestow itself on another woman."
"It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble."
"... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement."
"True variety is in that plenitude of real and unexpected elements, in the branch charged with blue flowers thrusting itself, against all expectations, from the springtime hedge which seems already too full, while the purely formal imitation of varietyis but void and uniformity, that is, that which is most opposed to variety."
"Real relationships - the kind that were supposed to last but never did - were more trouble than they were worth."
"I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way."
"It's core to my beliefs now: Sometimes in being given a challenge, you're actually being given a real opportunity, and a lot of that is how you handle it. Do you feel sorry for yourself or do you think, All right! I'll see what I can make out of this? I've had that over and over. If I hang out in the disappointment, I'll just be disappointed all the time."
"The mark of the procedure. A real one. Lu is cured."
"I put my forehead on his collarbone, place one hand on his chest. Its rhythm reassures me: He is real, and he is now."
"That's the way I feel, at least: like there's a real me and a reflection of me, and I have no way of telling which is which."
"It's like high school holds two different worlds, revolving around each other an never touching; the haves and the have-nots. I guess it's a good thing. High school is supposed to prepare you for the real world, after all."
"I could go to juvie instead of real prison."