"With fiction, you are creating an imaginary world. And it can be a very mechanical process. In a fictional film, you create the characters who become "real people" when facing the camera. When you stop shooting, they change their costumes and become someone else. And people tend to believe in documentary more than fiction. Even if the fiction is based on a true story, everybody will say, "Oh, they're only actors.""
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"Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film."
"I thought I started acting at 5 or 6, it was really when they were interviewing real families for a toothpaste commercial. They interviewed our family."
"Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the directors eyes, you get it right does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater."
"A great novelist excels on the small scale and the large, the individual leaf and root as well as the forest; good fiction convinces us that the imaginary is real by selecting exactly the right detail and rendering it perfectly."
"Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely?"
"I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song."
"Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed."
"A man needs a private life. With no ability to have a private life, one thing leads to another, and before you know it we have Bill and Monica. We need to get real about things. Humans are humans. Why should we expect more?"
"I'm fairly well off. I can't poor-mouth that away from people's sensibilities about me, which is something I worry about as an actor. But it would be real stupid of me to do something for the money."
"In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way."
"In the real world there's an after-effect of disappointment if you lose an argument. But if, to begin with, you're set up not to have this particular autonomy, then you're not disappointed."
"Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user."
"I have Internet fame. Real fame is more intense."
"The Loire Valley is grossly underestimated. The prices are fair, and the wines are real."
"I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music and I love uplifting people through my music. That's my real goal."
"Real feminism is spinsterhood. It's time America admitted that old maids give all women a good name."
"Women are dirt searchers; their greatest worth is irradicating rings on collars and tables. Never mind real-estate boards' corruption and racism, here's your soapsuds. Everything she is doing is peripheral, expendable, crucial, and non-negotiable. Cleanliness is next to godliness."
"To me, O'Hara is the real Fitzgerald."
"I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?"