Toni Morrison

Novelist, Essayist

Toni Morrison was a celebrated American novelist known for her powerful exploration of race, identity, and love, particularly in her acclaimed work 'Beloved'.

Born
February 18, 1931
Died
August 5, 2019
Quotes
430
Rank
#76

Quote collection

Toni Morrison quotes (page 13 of 22)

430 quotes — follow a thought to its full quote page.

Toni Morrison Novelist, Essayist
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"I wish I’d a knowed more people. I would of loved ‘em all. If I’d a knowed more, I would a loved more"

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"It had been the longest time since she had had a rib-scraping laugh. She had forgotten how deep and down it could be. So different from the miscellaneous giggles and smiles she had learned to be content with these past few years."

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"To be given dominion over another is a hard thing; to wrest dominion over another is a wrong thing; to give dominion of yourself to another is a wicked thing."

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"How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves."

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"She had been looking all along for a friend, and it took her a while to discover that a lover was not a comrade and could never be - for a woman. And that no one would ever be that version of herself which she sought to reach out to and touch with an ungloved hand. There was only her own mood and whim, and if that was all there was, she decided to turn the naked hand toward it, discover it and let others become as intimate with their own selves as she was."

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"Well, feel this, why don't you? Feel how it feels to have a bed to sleep in and somebody there not worrying you to death about what you got to do each day to deserve it. Feel how that feels. And if that don't get it, feel how it feels to be a colored woman roaming the roads with anything God made liable to jump on you. Feel that."

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"I'm not entangled in shaping my work according to other people's views of how I should have done it."

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"One of my kids was born in 1968. There were going to be political difficulties, but they were never going to have that level of hatred and contempt that my brothers and my sister and myself were exposed to."

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"Lay my head on the railroad line. Train come along; pacify my mind."

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"A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences."

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"Alice thought, No. It wasn't the War and the disgruntled veterans; it wasn't the droves and droves of colored people flocking to paychecks and streets full of themselves. It was the music. The dirty, get-on-down music the women sang and the men played and both danced to, close and shamelesss or apart and wild...It made you do unwise disorderly things. Just hearing it was like violating the law."

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"All the books that were being published by African-American guys were saying 'screw whitey', or some variation of that. Not the scholars but the pop books. And the other thing they said was, 'You have to confront the oppressor.' I understand that. But you don't have to look at the world through his eyes. I'm not a stereotype; I'm not somebody else's version of who I am. And so when people said at that time black is beautiful – yeah? Of course. Who said it wasn't? So I was trying to say, in The Bluest Eye, wait a minute. Guys. There was a time when black wasn't beautiful. And you hurt."

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"Intimacy is extremely important to me and I want it to be extremely important to the readers."

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"This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got."

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"Language alone protects us from the scariness of things with no names. Language alone is meditation."

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"Who's Got Game? The Ant or the Grasshopper? The Lion or the Mouse? Poppy or the Snake?"

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"The formula for creative writing in high school or college is write what you know. And I said they don't know nothing. Imagine something. Do you know what it's like to be a Madame in Paris, when you're too old to have any clients. No, you don't. I don't either. Write about it."

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"The children - I call them children when they're under 18 - are hungry for that love. The drugs are just a sleep that you can't even wake up from, because you might remember what you did when you were there. There's no place for them - there should be a rehabilitation center on every corner, along with McDonald's and the banks. This is serious business. The waiting lists are incredible. I mean, it's terrible. It's really terrible."

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