"I can’t leave now. I like her too much. There, I said it. But I won’t say it again."
Quote collection
Veronica Roth quotes (page 24 of 38)
752 quotes — follow a thought to its full quote page.
"I kiss him as the train slides into unlit, uncertain land. I kiss him for as long as I want, for longer than I should, given that my brother sits three feet away from me."
"Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on."
"Yesterday he told me he thought I would have to pretend to be weak, but he was wrong. I am weak already. I brace myself against the wall and press my forehead to my hands. It’s difficult to take deep breaths, so I take short, shallow ones. I can’t let this happen. They attacked me to make me feel weak. I can pretend they succeeded to protect myself, but I can’t let it become true."
"You are far less likely to soil your pants and cry for your mother if you’re prepared to defend yourself."
"We are not the same. But we are, somehow, one."
"Before I chose Dauntless...I felt assured of my long lifespan, if nothing else. Now there are no reassurances except that where I go, I go because I choose to."
"Can I ask why you’re throwing knives at cheese?’ ‘Caleb came by to discuss something,’ Tobias says, leaning his head against the wall as he looks at me. ‘And knife-throwing just came up somehow.’ ‘As it so often does,’ I say, a small smile inching across my face."
"I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now."
"Oh, are we at the insult part of the breakup?" she says. "Because I got in a lot of practice after what happened with Will. I have several choice things to say about her nose."
"He slides his hand over my cheek, one finger anchored behind my ear. Then he tilts his head down and kisses me, sending a warm ache through my body. I wrap my hands around his arm, holding him there as long as I can. When he touches me, the hollowed-out feeling in my chest and stomach is not as noticeable."
"What?" I ask. "I'm developing a theory." "And it is?" She picks up her hamburger, grins, and says, "That you have a death wish."
"Did you just call me BEATRICE?"
"He kisses me again, more insistent this time, his hands squeezing my waist. His breaths, his body, my body, we are so close there is no difference."
"Sometimes it isn't fighting that's brave, its facing the death you know is coming."
"It's strange to see people you don't know well in the morning, with sleepy eyes and pillow creases in their cheeks"
"I wonder if this is how is is with all evil men, that to someone, they look just like good men, talk like good men, are just as likable as good men."
"Abnegation produces deeply serious people. People who automatically see things like need,” he says. “I’ve noticed that when people switch to Dauntless, it creates some of the same types. Erudite who switch to Dauntless tend to turn cruel and brutal. Candor who switch to Dauntless tend to become boisterous, fight-picking adrenaline junkies. And Abnegation who switch to Dauntless become . . . I don’t know, soldiers, I guess. Revolutionaries."
"So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?"
"It’s not a perfect situation. But when you have to choose between two bad options, you pick the one that saves the people you love and believe in most. You just do. Okay?"