"Woe betide him, and her too, when it comes to things of consequence, when they are placed in circumstances requiring fortitude and strength of mind, if she have not resolution enough to resist idle interference ... It is the worst evil of too yielding and indecisive a character, that no influence over it can be depended on. You are never sure of a good impression being durable; everybody may sway it. Let those who would be happy be firm."
Character quotes
Character
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Character quotes (page 155 of 739)
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"He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete."
"The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life."
"The 'I' character in journalism is almost pure invention."
"Simplicity of living gives you sensitivity of character. A lot of people told me that leaving L.A. and moving to Volcano (district of the Big Island) would ruin my career, but that's my kuleana, my business."
"There are too many souls of wood not to love those wooden characters who do indeed have a soul."
"I want to play a character I've never been before-a crazy serial killer like Charlize Theron in Monster. I'd love to have to shave my head."
"But really, for the most part - doing a prequel is great because you do have room to kind of free this character and how they got to where they are instead of being a slave to exactly what the previous actor did."
"I do have some kind of gravitational pull towards young characters with more responsibility than they should have."
"I'm always terrified before every movie because I haven't found her [the character], and I don't get it. [Without acting, I'd have] become a nurse."
"I don't like characters that are left being jerks at the end of the movie."
"A lot of Manchester now - it's creating jobs and that's great, but some of the character is getting sucked out. There's good and bad, but our personal perspective is that it's just a shame. You in Chicago protect your buildings, we don't have that. You'll find a good building will get replaced by a horrible looking thing."
"The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character."
"The wonderful thing about digital process is that I can be cast in films that I would never be cast in. If I have it in my soul to play the character it doesn't matter what my face looks like, or my age. It's really liberating."
"The established characters are easy to recall. I don't know why, but they come back to me instantly when I need them. It's the one-time-only characters that I don't remember where the voice I used came from."
"I really want to try to explore the characters from angles you've never seen and keep them classic and iconic."
"With proper acting, I don't know what I would play - I got sent a script for a play, and it said in the notes that my proposed character was 'hideously fat and ugly'. That made my day. I mean, I do know I am no oil painting."
"I think of myself more as a character actor than that ingenue leading lady, who started out something like Michelle Pfeiffer, or Jessica Lange. I'm a bit quirkier than that."
"I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story."
"I've sort of closed my mind off to reality shows: I just don't watch them, don't care about them, don't know who the characters are, but they're all in general usage."