Teju Cole

Author, Photographer

Teju Cole is a Nigerian-American writer and photographer known for his profound explorations of identity and memory in works like 'Open City'.

Born
June 27, 1975
Quotes
69
Rank
#3352

Quote collection

Teju Cole quotes (page 3 of 4)

69 quotes — follow a thought to its full quote page.

Teju Cole Author, Photographer
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"Not explicitly, no. Compared to this enormous, relentless evolutionary activity in the built environment, writing is small potatoes."

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Teju Cole Author, Photographer
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"So, for a book set in 2006, Open City evades certain markers, while it embraces certain others. Julius doesn't use a smartphone, and he doesn't discuss contemporary US politics in any fine detail."

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"There was a feeling during the years of George W. Bushs presidency that his gracelessness as well as his appetite for war were linked to his impatience with complexity. He acted from the gut, and was economical with the truth until it disappeared."

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"You don't bring in a gay character as a way of commenting on gay issues. You have one there because he's real, and that's his life, no less so than your life is yours."

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"It wasn't a deception: all lovers live on partial knowledge."

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"Always say no pun intended to draw attention to the intended pun."

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"For purposes of marketing, writers are designated as poets, novelists, or something else. But writing is about matchmaking, an attempt to marry sensations with apt words."

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"Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not villains of our own stories."

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"The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water."

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"The banality of evil transmutes into the banality of sentimentality. The world is nothing but a problem to be solved by enthusiasm."

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"I'm grateful for the likes of Kundera, Murnane, Markson, Berger, and, in his recent work, Coetzee. But no matter how celebrated they are, critics still consider them askance. Elizabeth Costello, for example, is a great novel, but it got quite a critical panning when it was published. The complaint was that it was simply a book of speeches, without the machinery of conventional fiction. Markson's books are compilations of facts and alleged facts, very artfully."

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"The novelist can't successfully depict such horrifying reality. But she can, and must, try, to bear witness. There are many ways of doing this; the mode I prefer is indirect."

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"The Australian Gerald Murnane, a genius on the level of Beckett, is known in Australia and Sweden but almost nowhere else. And I loved Reality Hunger, David Shields' recent novel take on the art of the novel."

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"The novelist loses, every time. Politics is insidious, the modern conduct of war (from shoulder-launched rockets to drone strikes) is insidious. Someone presses a button in California and twenty people are incinerated at a wedding in Pakistan. The killer is spared the sight of the corpses."

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"Sebald, Naipaul, and Joyce are three of my biggest influences, all of them for their formal freedom and their ability to create mood. So those comparisons are immensely flattering and, of course, unearned."

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"It's an Obama book, certainly. I was delighted, and astonished, to hear recently that he was reading it. It's a book about a new kind of American reality, one that takes diversity for granted. It doesn't celebrate diversity, actually, it just says: this is how we live now."

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"Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing."

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"What's interesting about Twitter is the unmediatedness of it, the directness of it. I'm on a train somewhere in New York and I send out a tweet. Somebody sitting at dinner in Bombay checks their phone and they see it."

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"I often say I've spent more time with photography than I have with literature just in terms of hours."

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